Our craft
How we print louder than everyone else.
Digital and screen printing, explained without the jargon — from first sketch to bulk-ready fabric.
Sketch to selvedge
01
Technique
Digital printing for anything with fine line work, photographic detail or more than eight colours — no screen limit, no registration drift. Rotary screen for big repeats and big metreage, where the ink sits heavier and the cost per metre drops. You don’t have to know which you want; send the artwork and we’ll tell you which one the print deserves.
02
Fabric base
The same print behaves differently on every base — that’s the whole craft. Cotton poplin and cambric for structure, mul for softness, rayon and viscose crepe for drape, satin for sheen, linen blends for texture, georgette for the very light stuff. Every print in the catalogue lists its GSM and width.
03
Colour matching
Send a physical swatch, a Pantone code, or a photo of a wall you liked. We lab-dip, print a strike-off, and courier it to you before the bulk run starts. Custom colourways carry the same 50 metre minimum — there’s no surcharge for wanting your own red.
04
Checks before dispatch
Wash-fastness and rub-fastness on every new base. Roll-by-roll shade check against the approved strike-off, because nothing kills a retailer faster than two rolls of the same print that don’t match. Width and metreage verified, then it ships.
Bases we keep on the floor
others sourced to order
Cotton poplin
140 GSM · 58in · crisp, holds a line
Cotton mul
80 GSM · 44in · soft, semi-sheer
Viscose crepe
95 GSM · 44in · fluid drape
Satin
120 GSM · 58in · high sheen
Linen blend
150 GSM · 58in · slubby texture
Georgette
70 GSM · 44in · light, bouncy